The Film Scout – Upcoming Movies To Watch
Okay, so my first thought for this column was to write about the Oscars coming up, but then something changed. I thought, “Of course you’re going to write about the Oscars and predict the winners, and because you’re so good at this, you’re going to get them right just like you always do!”
But to be completely honest, the Oscars aren’t even on my radar at the moment. Right now, I’m still thinking about the Super Bowl.
No, not the game … the movie trailers!
The best part about the big game are the ads and the trailers. It’s literally free inspiration if you want to follow a career in marketing. Everyone brings out the biggest ideas and has a little extra cash in their marketing budget to make them happen. Honestly, the whole thing makes me think that if I ever got a chance to attend a Super Bowl live, of course I would totally go, but there is a part of me that would think “Damn, that means I can’t see the commercials in real time.”
The movie industry has its fair share of trends, and one interesting observation is the common perception that films released in January and February tend to be of lower quality. This phenomenon is often attributed to the aftermath of award season, where prestigious films dominate the spotlight, leaving little room for movies of a different caliber. As March rolls around, many cinephiles consider it the official start of the movie season.
Amidst this backdrop, two upcoming March releases have captured my attention, promising an exciting start to the cinematic calendar. One of the most highly anticipated films is “Dune Part 2,” a sequel which has the potential to shake the industry much like past cinematic powerhouses such as “Mad Max” and “Oppenheimer.” Directed by the talented Denis Villeneuve, known for his work on “Blade Runner 2049” and “Prisoners,” the movie is based on Frank Herbert’s iconic Dune novel series. The stellar cast includes Timothee Chalamet, Zendaya, Christopher Walken, Florence Pugh, and Austin Butler in the lead role. The prospect of witnessing this epic on the big screen, helmed by a director with a genuine passion for the craft, fills me with excitement. It’s a testament to the current era, where blockbuster films are being crafted by individuals deeply committed to the art of cinema.
Another film that has piqued my interest is “Love Lie Bleeding,” an A24 production that promises to be a captivating addition to their impressive repertoire. Known for their unique and thought-provoking films, A24 consistently delivers cinematic experiences that leave a lasting impact. “Love Lie Bleeding” is poised to follow suit, capturing my attention much like “The Lighthouse” and “Midsommar” did in the past.
Starring Kristen Stewart and Katy O’Brian, the film explores the lives of a couple entangled in the criminal underworld, blending elements of “Thelma and Louise” with bodybuilding and firearms. What elevates my anticipation for this film is the fact that it is written and directed by Rose Glass, the creative force behind the underrated gem “Saint Maud.” Glass’s distinctive approach to storytelling and filmmaking adds an extra layer of excitement, making “Love Lie Bleeding” a likely must- watch.
It’s worth noting that “Love Lie Bleeding” marks Glass’s second directorial venture, adding a sense of anticipation for what promises to be another unique cinematic experience. As I eagerly await the release of both “Dune Part 2” and “Love Lie Bleeding” in March, I can’t help but appreciate the diversity and creativity that filmmakers bring to the table. These films represent more than mere entertainment; they embody a passion for storytelling and a commitment to pushing the boundaries of what cinema can achieve.
The anticipation for March releases is not just about breaking free from the perceived slump of January and February but also about embracing the potential for groundbreaking cinema. Whether it’s the grand scale of “Dune Part 2” or the distinctive storytelling of “Love Lie Bleeding,” these films symbolize the richness and diversity of the cinematic landscape, ensuring that the audience is in for a treat as the movie season officially kicks off.
By John Houzer